:format(webp)/events/78c8530b-0dd9-45c9-a88b-7c468f58627a/5589df06937ddf881db1d8c4473924a4.jpg)
:format(webp)/event-sources/9a0d5c1b-435e-4d43-a592-7d3539d3c4ed/786aa976d075a61bec8b1d2516abb9b7.jpg)
Ruben Shahverdyan: Ornamental Tales
ArtsThe exhibition explores the creative legacy of Ruben Shahverdyan (1900–1976), showcasing a unique blend of Oriental sensuality, Armenian iconographic traditions, and modern formal thinking. A student of Yeghishe Tadevosyan and an opera singer, Shahverdyan made music a recurring theme throughout his visual art. The display features early paintings and graphic works depicting stylized figures of kintos, merchants, and musicians, alongside his decorative interpretations of social themes. A significant portion of the exhibition is dedicated to Shahverdyan’s ceramics. Following his move to Armenia in 1941, he deeply studied national architecture and miniatures, eventually developing a signature style through innovative clay and terracotta firing techniques that defined his later career.
Organizer
The National Gallery of Armenia is the country’s principal art museum, housing the world’s largest collection of Armenian fine arts and presenting exhibitions, lectures, restorations, and educational programs that connect Armenian, Russian, and European art. It hosts public exhibitions, guided tours, family workshops, and scholarly events, often featuring acquisitions and immersive elements like VR.
:format(webp)/events/78c8530b-0dd9-45c9-a88b-7c468f58627a/5589df06937ddf881db1d8c4473924a4.jpg)
Ruben Shahverdyan: Ornamental Tales
ArtsThe exhibition explores the creative legacy of Ruben Shahverdyan (1900–1976), showcasing a unique blend of Oriental sensuality, Armenian iconographic traditions, and modern formal thinking. A student of Yeghishe Tadevosyan and an opera singer, Shahverdyan made music a recurring theme throughout his visual art. The display features early paintings and graphic works depicting stylized figures of kintos, merchants, and musicians, alongside his decorative interpretations of social themes. A significant portion of the exhibition is dedicated to Shahverdyan’s ceramics. Following his move to Armenia in 1941, he deeply studied national architecture and miniatures, eventually developing a signature style through innovative clay and terracotta firing techniques that defined his later career.
Organizer
The National Gallery of Armenia is the country’s principal art museum, housing the world’s largest collection of Armenian fine arts and presenting exhibitions, lectures, restorations, and educational programs that connect Armenian, Russian, and European art. It hosts public exhibitions, guided tours, family workshops, and scholarly events, often featuring acquisitions and immersive elements like VR.